The Fender '65 Deluxe Reverb Combo Amp has a sound big enough to cut through the muddiest mix, but it's small enough to turn up make the most of natural tube distortion in small clubs. Click To Read More About This Product Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. Designed to sound as close to the original as possible, the ˜65 Reissues are assembled in Corona, California and feature Jensen speakers (One C12K for the Deluxe and two C12Ks for the Twin, four P10Rs for the Super and one C10R for the Princeton), Schumacher transformers, traditional tremolo and tube-driven reverb to create that classic, "Blackface" sound so many players desire.It looks and plays like new and may be considered an equivalent to display units found in retail stores. They do have PCBs (Printed Circuit Boards), as opposed to the original's "hand-wired" circuitry, but the components (capacitors and resistors) are the same values as amps from that period.
1959-1964 style Stratocaster Mid 1959 Statocaster : Slab Rosewood fingerboard with white "clay" position dots.
View the underside of the chassis (flashlight helps alot)look for the reverb driver trans.
Its in the middle of the 6 preamp tubes with the removable shields. For a black face, this transformer would have been made in 1964 during the 23 week (—423) The trick to this is they don’t renumber the decades.
Tonal Characteristics: Bright, scooped midrange that is known as the "Blackface" sound, pronounced "Wine Glass" highs from the Jensen speakers and a slightly more polite power amp for crystal cleans that can also be cranked for great overdriven tones.
Who's it for: Players that love the original versions but are priced out of owning vintage amps, blues players, country players, rock players, guitarists trying to get classic "Blackface" sounds (a la Stevie Ray Vaughan, Jimi Hendrix, John Mayer), American-made amp enthusiasts, traditionalists, avid Fender collectors.